Wednesday, May 14, 2008

"Floating in Glass," 6x8, oil on canvas board

Connie Kleinjans fine artThese are the same tomatoes I posted yesterday. I really liked their color, and was remembering how I enjoyed the combination of reflection and shadow from a recent post. That painting is leaning on some books in a bookshelf across the room, and even from here I like the depth, and the way that where the reflection and shadow overlap you get the darkest colors. So I used the same tomatoes as yesterday and set up another reflection+shadow. But apparently that wasn't complicated enough for me. I had to add a colored glass bowl, which introduced transparency. Then, while I was playing with the setup, what I fell for was the color combination.

But working this one out was pretty tough. As with the prior work I linked to, I really, really had to pay attention to values. Yes, they're darkest where shadows and reflections overlap, but other areas are more complicated. I also found that there was a shadow that reflected the red background, and in the setup the red was really bright. But that was terribly distracting, so I darkened it.

It was also fun how the tomatoes seemed to float in the glass. So I used that for the name.

Here's the piece with the underpainting in place.

It looked awful on my easel, but here it looks kind of geometric and decorative.

I have to say, this one looks like it would be interesting if I painted it big. These small pieces are often used as studies. I blew up another one recently. I'll post it soon, and think about this one.

1 comment:

  1. I like to over complicate too! What is up with that? Gotta have a reflection or a flag or some darn thing that will be hard as heck to paint. But really, that's how I learn and I want to be good. So bring it on!

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