Sunday, October 21, 2012
6x6", oil on canvas board
This is the next in my series of figs that I used to learn to paint in neutrals. When I use neutrals, they seem to come out dark. I might have to think about that. There's a bit of palette knife work here, too, as with the prior one.
I've been thinking about neutrals, and the most neutral color is grey. But a warm grey is brown, so grey and brown might be just cool and warm versions of the same neutral. Strangely, while the best-known color palette (there are many) divides colors into three primaries, there seem to be only two neutrals. I think it's because the three primaries contain one cool (blue) and two warms (red and yellow). It you neutralize blue, it goes cool grey, of course. But if you neutralize red and yellow, they both go brown. Now, they're a little different, but much more similar to each other than they are to neutral blue. (I haven't run into this in any books. So maybe I don't read enough, or this is whacked.)