8x8", acrylic and mixed media on panel SOLD
About three hours away from here, in Sacramento, CA, is a charming art gallery called the 20th Street Art Gallery. I took a Carol Marine workshop there a couple of years ago, am on their mailing list, and know someone who participated in a show there. That show was one of a series of shows in which artists create a family of small works. I applied to the upcoming show last week and -- woohoo! -- have been accepted! [Doing the happy dance, here.] This show will again feature small works, 8x8". They give you the panels and a time frame. And that time frame is from when the panels arrive until March 26. So I will create 25 small paintings in two months. And deliver them.
In applying to the show, I debated between submitting a still life or an abstract. I had been thinking of submitting a still life, since I seem to do small still lifes and large abstracts. I chose to submit an abstract. What convinced me was this strong motivator: They wanted the sample to be on an 8x8" panel, and I do not have such in a still life, and was running out of time. Now, I have some 8x8" stretched canvas still lifes, and many 6x8" panel still lifes, but no 8x8" panels. But, luckily, I found two blank 8x8" panels, created two paintings in short order (shorter than I want to admit), and submitted the one I liked better. Then I spent six hours on my butt in a car, driving to deliver the application material.
Now, all of that doesn't matter, really. I mean, it's not about convenience or feasibility, for heaven's sake. It's about art that has meaning for you. But I'm tickled by the vagary and whimsy of it all.
And even though I'm currently on a still-life streak, I'm happy to do the abstracts. They come from a more instinctive place in me, and, frankly, I'm more confident that I can create twenty-five that I like in the time frame. The still lifes are much harder. I think they come out of my head, and require more discipline. Maybe that's the yin-yang: gut and brain, instinct and thoughtfulness.