SOLD 30 x 40 x 1.5", acrylic and mixed media on stretched canvas
[UPDATE: I redid the picture of this painting. The earlier one dropped out a lot of texture, and the color was difficult, since I used metallic paint. If you want to see the texture, click the image. I also uploaded a larger JPG.]
It's been a busy time recently. I'm teaching my workshop this weekend, and also coordinating one with another artist for July. Specifically, I've invited Rececca Crowell to come to Northern California. Her wonderful paintings have amazing depth and texture, and I think I could learn a lot that might transfer to what I'm doing. Do check out her blog and web site. And let me know if you're interested in the workshop.
Meanwhile, although I'm probably in reasonable shape for my own workshop this weekend, I do need to finish up a few things. Got the syllabus in pretty good shape, the hand-outs either planned or done, detailed notes on supplementary information. Just need to finalize. So this post might be a bit short.
So, about this painting, remember my admiration for texture and depth? I keep finding new ways to use hardware store material to create that. In this piece, it had occurred to me that the textures I'm creating might look wonderful with metallic paint. So I used a flexible patching compound and dragged through it to create interesting bumps. And I added my beloved stucco patch. After a few interesting starts with bright colors, and a visit to Photoshop to play with composition, I developed it as you see it: lots of layers of paint, and lots of darker colors rubbed into the metallic color and catching the contours of the patching compound. I like how it looks old.
I'm also developing (or redeveloping) an interest in primitive symbols. This one seems sort of like Stonehenge. I have one in the works that has a circle. I'm looking into Hawaiian petroglyphs and ancient wall paintings, as well as patterns of water and totem symbols. They strike some sort of chord in me, and I'm listening.