About 14 x 17.5", oil on unstretched canvas
Like yesterday's blog entry, this one was painted with the idea of cropping it afterward. But I got a wonderful comment from Kim Vanderhoek about how yesetrday's looked the most powerful uncropped, and now I'm rethinking this one. Now, in an earlier piece, I really liked the splashy parts around the outside, and I pondered whether it would work to frame out the middle and paint the edges in a lower key to kind of attenuate their presence, but still keep them visible. So I experimented with this one using that theory. But it also occurred to me (too much caffeine, perhaps) that this might make two paintings. Take a look. I have no idea if this will make sense or not.
The common element in both paintings would be the small garlic clove in the middle.
Anway, I'm not sure yet, but it's fun to play with.